Italian painter, who probably painted the S. Remigio Deposition in Florence (Uffizi) which was regarded as a work of
Maso di Banco by
Vasari and earlier writers. The distinction of hand is evident, but it is by no means certain that Giottino was identical with a Giotto di Maestro Stefano who was painting in the Vatican in 1369, who in turn cannot be reconciled with
Vasari s Maso/Giottino figure. No other work can reasonably be attributed to the painter of the Uffizi Deposition, unless one accepts the attribution of it to
Orcagna s brother
Nardo di Cione.
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