Italian painter, specialized in imaginary architectural perspectives and harbour views, in which the figures were executed by other artists, most notably Jan Miel
and Michelangelo Cerquozzi.
His pictures were praised by contemporary and near contemporary writers, and during the 17th century were popular with private collectors in both Florence and Rome. However, many of the paintings mentioned in contemporary sources remain untraced.
He is first documented in Rome in 1628, when, with Andrea Sacchi
and Pietro da Cortona, he worked on the fresco decorations of the Villa Sacchetti (now Chigi), Castelfusano (near Ostia), to which he contributed personifications of the River Nile and the River Rhône. He became a member of the Accademia di San Luca in Rome in 1634, and after 1635 he was engaged on frescoes depicting sacred subjects in S Maria in Vallicella, Rome. From the mid-1630s onward Salucci collaborated with Miel
on the imaginary architectural subjects
for which he is best known. The two artists also collaborated between 1640 and 1645 on a series of four important Imaginary Architectural Perspectives. His most typical paintings date from c. 1650-60.
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