English sculptor. He trained in Flanders and with Pigalle
in Paris, then was in Italy from 1747 till 1755. On his return to London he rapidly became successful, carved the state coach (still in use) for the coronation of George III (1760), and was then appointed sculptor to the King (1764). He was an intimate friend of the architect Sir William Chambers, with whom he often collaborated, and he was one of the original members of the Royal Academy. His portraits
are generally regarded as his best works, his monuments showing him hesitating between various styles. Much of his work was executed by assistants. His talents were considerable, but he was more interested in social life than his work; he inherited a fortune from his father (a manufacturer of ornamental plaster) but dissipated it and became bankrupt in 1793. Considering the quality of his training and his friendship with key figures in the art world, his career is a story of wasted opportunity.
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