Italian painter. She was a follower of Piazzetta, who made a drawing of her c. 1720 (Lugano, Thyssen Collection). Her style was very close to his, and is known from two altarpieces in Venice (S. Vitale, Sta Maria Formosa), one in the parish church of Malamocco, and one now in Ca Rezzonico, Venice. Her life and career is poorly documented.
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